Master 2 Mãƒâ©tier Des Arts Et De La Culture Paris 1
Cite des Arts et de la Culture / Kengo Kuma & Associates
- Area : 11389 m²
+ 44
Text description provided by the architects. This project is the upshot of the marriage between history and architecture, water and light, city and nature. We wish that the Besancon Art and Culture Center strike a chord with the environment by the fusion of the different scale of reading, from the details to the entire project, by blurring the limit between interior and exterior, to create a building able to enter in resonance with his environment: the hills, the river and the urban center of Besancon. The roof creates the link between the edifice and his environs and makes the project blatant. Semi-transparent, the roof symbolizes the fusion between built and non-built and human activity as camouflage when people discover information technology from the Citadelle which is height overlooking. It is an invitation to the citizen to gather below his protection. It symbolized the run into betwixt the urban center and the nature, the denizen and the riverbank, the public and the civilisation.
The site brings with itself both its own history and the history of the city. The riverbank always has been either a protection or a barrier. The project is a continuity of this history, his longitudinal geometry is post-obit the orientation given by Vauban, the warehouse, old storage of forest, is kept and participate in the richness of the building. The Besancon Art and Culture Center perpetuate the notion of protection, simply can be read as well equally a monumental gate between the city and the river, outstanding object and symbol of the unification of the urban center and his river. Information technology is a landmark, recognizable by a sober design and the quality of his materiality. We wish to reinforce the genius loci of the site trough a strong and conspicuously identifiable edifice, but still respecting the human relationship with the existing breastwork, the river and the city.
Unified below the large roof, the two functions are identifiable by subtle differences in the patterns of the façade equanimous by forest panels and steel panels. The blueprint dimensions are for the FRAC: 5000 X 2500 Horizontal while for the CRR 1625 X half floor height vertically. The Frac is partially located in the former brick warehouse building. After taking out two of the existing slabs, the void created is containing the main exhibition room. The large entrance hall of the FRAC is as much as possible transparent, open to both "art passage" and city side. The natural top light is diffused thanks to the random positioned drinking glass panels of the roof, in order to accomplish to communicate the feeling of being below a canopy of tree, where the lite gently come through leaves downwardly to the basis. The CRR is more an introverted infinite, except for his lobby which is xiv m meridian and largely transparent. Both foyer of FRAC and CRR are connected by the roof, creating a semi-outdoor space, the "art passage", which is flooded of natural light through the semi-transparent roof. This passage, a large void, is structuring the overall buildings: it acts simultaneously as a gate and a shelter; it emphasizes the particularity of this project witch gathering two dissimilar functions.
The roof is the emblematic and unifying chemical element of the project. Composed in a random way with dissimilar element such as glass, solar panel, vegetation and metallic panels with dissimilar color stop, the natural light vibrates on its surface, depending of the absorption and reflection of the different elements composing information technology. Information technology creates a pixelized layer where the credible aleatory position of the " pixels" define a unique paradigm, abstract and confounded with the environment hue. The transparency is partially divers past the necessity of the program below: opaque on height of the rooms such every bit classroom, administration, or exhibition room. It gets more transparent when it is on elevation of the lobby or when information technology is covering the outdoor spaces. Suspended by a forest framework, this fifth façade made of variation of transparency and opacity stand for a unique and innovative design, a thin pixelized layer floating on peak of the Doubs river and condign at nighttime a landmark reinforcing the entrance of the urban center. The only element emerging from the roof is the former ware house converted in exhibition gallery, reminding the industrial flow of the site.
The mural design takes part in the pedestrian path forth the river: it extend and connect the existing promenade. The main constrain of the site is the alluvion run a risk. We have reinforced the embankment and built on top of that dike. This is the reason why the building is installed on superlative of a pedestal. This pedestal can be physically experimented walking below the "art passage" semi-outdoor space, overhanging the street and continued to the river by a big stair. The CRR is organized effectually a garden, called « harmony garden », a wet garden combining moss and depression trees. In continuity with the "art passage", forth the FRAC, a water pond planted with filtering blitz is creating the soft transition betwixt the metropolis and the building. Partially covered by the semi-transparent roof, the shadow and calorie-free variations interweaves with the reflections on the reflection swimming.
The interior blueprint is mainly structured past the façade and roof patterns, filtering the natural light. Woods, glass, or metal meshes are combined with subtleties in order to generate a peaceful and relaxing atmosphere. The forest frameworks supporting the covering appear in the lobbies, terraces and in the last floors witch intensify the presence of the roof. The views to the exterior are precisely framed either to the h2o swimming, the river, the double or triple height spaces manage to offering different space experiences.
This place witch always has been perceived as a physical bulwark for the citizens (either fortification or industrial area) we propose to generate an open and welcoming cultural centre, a gate and a roof between the river and the city, in harmony with the environment.
Project gallery
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Project location
Accost:16 Avenue Arthur Gaulard, 25000 Besançon, France
Location to be used only equally a reference. It could indicate city/country but not exact address.
About this office
Cite: "Cite des Arts et de la Culture / Kengo Kuma & Assembly" 04 Jun 2013. ArchDaily. Accessed . <https://www.archdaily.com/381197/cite-des-arts-et-de-la-civilisation-kengo-kuma-and-associates> ISSN 0719-8884
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Source: https://www.archdaily.com/381197/cite-des-arts-et-de-la-culture-kengo-kuma-and-associates
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